https://breselsa.cargo.site elsa bres elsa bres Thu, 23 Apr 2026 10:19:31 +0000 https://breselsa.cargo.site en https://breselsa.cargo.site/les-Sanglieres-film Fri, 19 Jan 2018 14:04:53 +0000 elsa bres elsa bres https://breselsa.cargo.site/les-Sanglieres-film LES SANGLIÈRES SHE BOARSfilm 68 minutes 2025 supported by CNC, Tënk &amp; Mediapart, Occitanie and ARA regions,&nbsp;Mécènes du Sud, Art Situacions.preparatoy research supported by CNC DICRÉAM, CNAP aide au projet, MO.CO Panacée, CAC Chanot. produced by Elsa Brès &amp; Gaëlle Boucand Elinka films&nbsp; 1525 : in a forest in the Cévennes in France, peasant women from many regions band together to fight the enclosure of common lands. A few centuries later, construction in the forest is under the watchful eye of Annie, a solitary 75-year-old night watchwoman. One night, the landscape is turned upside down. festivals Cinéma du Réel 2025, Fr international&nbsp;competition IndieLisboa 2025, Pt international competition DMZ docs 2025, Korea international frontier competition International Film Festival of India, Goa experimental selectionRencontres Cinématographiques des Belvédères, Fr Rewire 2026, NL screenings Fondation Pernod Ricard, Fr Interspecies Conviviality, Spore Initiative Berlin, Germany VHS au 6B, Saint-Denis, Fr Carré d’Art musée d’art contemporain de Nîmes, Mois du Doc, FrUniversity of Soongsil, Korea Ecole des Hautes Etudes en Sciences Sociales, Fr Research Center on the Commons, University of Jeju, Korea Cinéma Nova, Brussels, Belgium “What kinds of imaginary and historical resistance run through and link up the different temporalities of a region? In her first feature-length documentary, whose title is inspired by Monique Wittig’ Guérillères, Elsa Brès explores the tales and collective struggles that irrigate the Cévennes landscape, continuing a reflection begun in her installations and previous films. (...)Devoid of dialogues and giving room for a sensory experience, the mise en scène centres on the lush vegetation and the bodies that live there, weaving a narrative where humans and animals join together to combat capitalism and patriarchy. By opening breaches in time, possible continuities take shape between the struggles of yesterday and those of today, inviting us to imagine other ways of inhabiting the world.” Nepheli Gambade <img width="850" height="512" width_o="850" height_o="512" data-src="https://freight.cargo.site/t/original/i/27bf40d8fb09c7c80ad2a3bbc1f48d8d573bb8df91ce0a42f8a0dfa066445fc6/les-sanglieres_she-boars_still6.png" data-mid="229551712" border="0" src="https://freight.cargo.site/w/850/i/27bf40d8fb09c7c80ad2a3bbc1f48d8d573bb8df91ce0a42f8a0dfa066445fc6/les-sanglieres_she-boars_still6.png" /> <img width="850" height="511" width_o="850" height_o="511" data-src="https://freight.cargo.site/t/original/i/011584554900b42c925bcb5ab4a30fb3e83f1449aca35e5a81c3eac88df580fc/les-sanglieres_she-boars_still8.png" data-mid="229551710" border="0" src="https://freight.cargo.site/w/850/i/011584554900b42c925bcb5ab4a30fb3e83f1449aca35e5a81c3eac88df580fc/les-sanglieres_she-boars_still8.png" /> <img width="850" height="511" width_o="850" height_o="511" data-src="https://freight.cargo.site/t/original/i/25015d2173f4bdb75a51b20252149c4e129cdd88547f710ec27b5b5e48ce2dbf/les-sanglieres_she-boars_still5.png" data-mid="229551713" border="0" src="https://freight.cargo.site/w/850/i/25015d2173f4bdb75a51b20252149c4e129cdd88547f710ec27b5b5e48ce2dbf/les-sanglieres_she-boars_still5.png" /> <img width="850" height="512" width_o="850" height_o="512" data-src="https://freight.cargo.site/t/original/i/bfc2f7529e7b820bb337c70e02abeab17fdeb6c11ea04d89f2031fb91c033195/les-sanglieres_she-boars_still4.png" data-mid="229551717" border="0" src="https://freight.cargo.site/w/850/i/bfc2f7529e7b820bb337c70e02abeab17fdeb6c11ea04d89f2031fb91c033195/les-sanglieres_she-boars_still4.png" /> <img width="850" height="512" width_o="850" height_o="512" data-src="https://freight.cargo.site/t/original/i/d21db30263b98cdb4d45e34af3c8e97b02fd8fcbc88660597e666f6915b22f9e/les-sanglieres_she-boars_still.png" data-mid="229551714" border="0" src="https://freight.cargo.site/w/850/i/d21db30263b98cdb4d45e34af3c8e97b02fd8fcbc88660597e666f6915b22f9e/les-sanglieres_she-boars_still.png" /> Les Sanglières Annie Rodriguez, Diane Bonfils, Dayan Torres Gonzalez, Amandine Sellini, Silviana Gomes Mboge, Chloé Kulpinski, Cathy Wotjyna, Abel de Mai, Gaëlle Boucand, Judith Simon, Debora Levyh, Eva Courtès, Éole, Elsa Brès team Victor Zébo, Thibault Solinhac, Sarah Blum, Iris Ibanez, Pauline Ogonowski, Hélios Fortin, Valentine Gelin, Ludivine Pelé, Eric Aurégan, Charlotte Buonomo, Gaëlle Boucand, Théophile Gay-Mazas, Colin Favre-Bulle, Maxence Ciekawy,&nbsp;Jennifer Fanjeaux,&nbsp;Jean-Do Scheer,&nbsp;Christiane Vervandier, Sourdure, Nicolas Mollard, Méryll Ampe. &nbsp;&nbsp; poster Korina Gallika <img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/e5ed6583af3e8e1c3852258de284a708537c25a9e391c28c7d9500889d107d53/Final-Poster-english.jpg" data-mid="229551699" border="0" src="https://freight.cargo.site/w/1000/i/e5ed6583af3e8e1c3852258de284a708537c25a9e391c28c7d9500889d107d53/Final-Poster-english.jpg" /> https://breselsa.cargo.site/Connivencia-exhibition Fri, 15 Sep 2023 13:47:49 +0000 elsa bres elsa bres https://breselsa.cargo.site/Connivencia-exhibition CONNIVÉNCIA solo show at La Loge Brussels sept-dec 2023 The exhibition is organized in partnership with Fondation d'entreprise Pernod Ricard, and the support of Centre National des Arts Plastiques (CNAP). Connivéncia by Elsa Brès presents a body of work and research around her latest film project Les Sanglières and its territory of resistance, the Cévennes. The artist investigates the figure of the boar as a potential ally in the anti-patriarchal and anti-capitalist struggle. about Connivéncia video tour of the exhibition <img width="2920" height="1944" width_o="2920" height_o="1944" data-src="https://freight.cargo.site/t/original/i/e3e7ecb23dc555583ecf25c4c487a083e8a1b24f8d1648ca17f7ab6c2573731c/connivencia_Capture-decran-2023-09-18-a-12.49.56.png" data-mid="191103403" border="0" src="https://freight.cargo.site/w/1000/i/e3e7ecb23dc555583ecf25c4c487a083e8a1b24f8d1648ca17f7ab6c2573731c/connivencia_Capture-decran-2023-09-18-a-12.49.56.png" /><img width="2916" height="1948" width_o="2916" height_o="1948" data-src="https://freight.cargo.site/t/original/i/af58044139dbbc44e48ecfc70f4955eaba97434ede64fd75353ffa8c47c6759f/connivencia_Capture-decran-2023-09-18-a-12.50.32.png" data-mid="191103407" border="0" 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data-src="https://freight.cargo.site/t/original/i/554004c508d1021b7931ab0a98773e9f4521cf7b01c21d111886af1a853c2542/connivencia_Capture-decran-2023-09-18-a-12.51.11.png" data-mid="191103410" border="0" src="https://freight.cargo.site/w/1000/i/554004c508d1021b7931ab0a98773e9f4521cf7b01c21d111886af1a853c2542/connivencia_Capture-decran-2023-09-18-a-12.51.11.png" /><img width="2910" height="1942" width_o="2910" height_o="1942" data-src="https://freight.cargo.site/t/original/i/0387445a2abe6c716eb3e137fdaf63869e33fb5c606f96beae9a931ff5921f00/connivencia_Capture-decran-2023-09-18-a-12.51.34.png" data-mid="191103412" border="0" src="https://freight.cargo.site/w/1000/i/0387445a2abe6c716eb3e137fdaf63869e33fb5c606f96beae9a931ff5921f00/connivencia_Capture-decran-2023-09-18-a-12.51.34.png" /><img width="2910" height="1948" width_o="2910" height_o="1948" 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data-src="https://freight.cargo.site/t/original/i/a582f55bb2b36b3af3c19f987db1ac84db26199571482835659154719e474f54/connivencia_Capture-decran-2023-09-18-a-12.52.51.png" data-mid="191103399" border="0" src="https://freight.cargo.site/w/1000/i/a582f55bb2b36b3af3c19f987db1ac84db26199571482835659154719e474f54/connivencia_Capture-decran-2023-09-18-a-12.52.51.png" /><img width="2854" height="1944" width_o="2854" height_o="1944" data-src="https://freight.cargo.site/t/original/i/413dd9a57e955426d0627c91ddddb3211da76d5b614d746688096792d9fdbcf1/connivencia_Capture-decran-2023-09-18-a-12.52.23.png" data-mid="191103416" border="0" src="https://freight.cargo.site/w/1000/i/413dd9a57e955426d0627c91ddddb3211da76d5b614d746688096792d9fdbcf1/connivencia_Capture-decran-2023-09-18-a-12.52.23.png" /><img width="2908" height="1942" width_o="2908" height_o="1942" data-src="https://freight.cargo.site/t/original/i/ca232576bf6483b1ff11bb6b46e6aee21e07145eadd262d3b6b45347c9626d6e/connivencia_Capture-decran-2023-09-18-a-12.52.41.png" data-mid="191103420" border="0" src="https://freight.cargo.site/w/1000/i/ca232576bf6483b1ff11bb6b46e6aee21e07145eadd262d3b6b45347c9626d6e/connivencia_Capture-decran-2023-09-18-a-12.52.41.png" /> <img width="2906" height="1940" width_o="2906" height_o="1940" data-src="https://freight.cargo.site/t/original/i/54a9f84e93d936716e1bb0bbac014ae5055e993c268197406fee66a794609310/connivencia_Capture-decran-2023-09-18-a-12.52.31.png" data-mid="191103418" border="0" src="https://freight.cargo.site/w/1000/i/54a9f84e93d936716e1bb0bbac014ae5055e993c268197406fee66a794609310/connivencia_Capture-decran-2023-09-18-a-12.52.31.png" /> <img width="2854" height="1940" width_o="2854" height_o="1940" data-src="https://freight.cargo.site/t/original/i/f127f5fef4ed903dc27cc27ae32d65cefcc70bd5e31703395f2655d9ce3a9b9e/connivencia_Capture-decran-2023-09-18-a-12.52.13.png" data-mid="191103415" border="0" src="https://freight.cargo.site/w/1000/i/f127f5fef4ed903dc27cc27ae32d65cefcc70bd5e31703395f2655d9ce3a9b9e/connivencia_Capture-decran-2023-09-18-a-12.52.13.png" /><img width="2912" height="1878" width_o="2912" height_o="1878" data-src="https://freight.cargo.site/t/original/i/0d10dcc8f5d9961991f0dc34e3baa08023b94d88f36a4936118bfa9343056839/connivencia_Capture-decran-2023-09-18-a-12.51.57.png" data-mid="191103414" border="0" src="https://freight.cargo.site/w/1000/i/0d10dcc8f5d9961991f0dc34e3baa08023b94d88f36a4936118bfa9343056839/connivencia_Capture-decran-2023-09-18-a-12.51.57.png" /> With : Abel, Amandine, Annie, Cathy, Diane, Dayan, Deborah, Chloé, Elsa, Éole, Eva, Gaëlle, Judith, Petit, Silviana.Images : Sarah Blum (assisted by Hélios Fortin), Elsa Brès, Victor Zebo (assisted by Iris Ibanez and Flora Dezotti Caroul). First assistants : Gaëlle Boucand, Charlotte Buonomo.Sound : &nbsp;Eric Aurégan, Elsa Brès, Valentine Gelin.Costumes 16th century : Christiane VervandierProps and fire : Jean-Dominique Scheer.Editing : Elsa Brès, Gaëlle Boucand, Théophile Gay-Mazas.Sound editing and mix : Maxence CiekawyOriginal music : Méryll AmpeColourgrading : Thibault SolinhacFilm production : Elsa Brès and Gaëlle Boucand - Elinka filmsTranslation to Occitan : Clément Chauvet &nbsp; https://breselsa.cargo.site/notes-for-les-Sanglieres-exhibition Mon, 19 Jul 2021 13:54:30 +0000 elsa bres elsa bres https://breselsa.cargo.site/notes-for-les-Sanglieres-exhibition NOTES FOR LES SANGLIÈRES mixed-media installation (or single-channel video) 2021 in collaboration with Paul Guillibert - activist, philosopherMéryll Ampe - composerGherardo Chirici - forest data scientist Deborah Levy, Chloé Kulplinksi, Christine Alamaa - voices and text excerpts from Monique Wittig’s “Les Guérillères” <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/01c781d61efa83049a112e98894fa5c02fd2add906944b8e93edf62cf026ec8e/12_LIUC_TransmedialeFilm2021_1045.jpg" data-mid="114151715" border="0" src="https://freight.cargo.site/w/1000/i/01c781d61efa83049a112e98894fa5c02fd2add906944b8e93edf62cf026ec8e/12_LIUC_TransmedialeFilm2021_1045.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/9a57e84a392223a7bbb0990d499277d613c7e11439f73f9201fc97e9ce8e5776/09_LIUC_TransmedialeFilm2021_1024.jpg" data-mid="114151790" border="0" src="https://freight.cargo.site/w/1000/i/9a57e84a392223a7bbb0990d499277d613c7e11439f73f9201fc97e9ce8e5776/09_LIUC_TransmedialeFilm2021_1024.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/abba0a81f3f717a563790deaa6428ecfdbad118ea5b5a0d269f39cbfacd794a7/LIUC_TransmedialeFilm2021_1023.jpg" data-mid="114244693" border="0" src="https://freight.cargo.site/w/1000/i/abba0a81f3f717a563790deaa6428ecfdbad118ea5b5a0d269f39cbfacd794a7/LIUC_TransmedialeFilm2021_1023.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/f3b0784eb63baeb5d3257b220712d865cfc68ca1f730d6b1df7803d48f0f191c/14_LIUC_TransmedialeFilm2021_1150.jpg" data-mid="114151669" border="0" src="https://freight.cargo.site/w/1000/i/f3b0784eb63baeb5d3257b220712d865cfc68ca1f730d6b1df7803d48f0f191c/14_LIUC_TransmedialeFilm2021_1150.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/0c2dfb9f2c9077d200dcbaa7a15c9efa90ecf9eaa7552335d5a897d8467b4d38/13_LIUC_TransmedialeFilm2021_1050.jpg" data-mid="114151420" border="0" src="https://freight.cargo.site/w/1000/i/0c2dfb9f2c9077d200dcbaa7a15c9efa90ecf9eaa7552335d5a897d8467b4d38/13_LIUC_TransmedialeFilm2021_1050.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/2e376f449a75432390d478d492008f6b40e3401bea1b9d161df8b67679353a45/17_LIUC_TransmedialeFilm2021_1018.jpg" data-mid="114151673" border="0" src="https://freight.cargo.site/w/1000/i/2e376f449a75432390d478d492008f6b40e3401bea1b9d161df8b67679353a45/17_LIUC_TransmedialeFilm2021_1018.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/de58884093cfd59c98c006fdbbf1edfac782179b67eb2b844616075e35cc701a/15_LIUC_TransmedialeFilm2021_1122.jpg" data-mid="114151690" border="0" src="https://freight.cargo.site/w/1000/i/de58884093cfd59c98c006fdbbf1edfac782179b67eb2b844616075e35cc701a/15_LIUC_TransmedialeFilm2021_1122.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/c1efb78cd9fc2f07b8156abc2f0f889f01bc1c0753e7757b48d3f1a687ac58a2/LIUC_TransmedialeFilm2021_1069.jpg" data-mid="114248711" border="0" src="https://freight.cargo.site/w/1000/i/c1efb78cd9fc2f07b8156abc2f0f889f01bc1c0753e7757b48d3f1a687ac58a2/LIUC_TransmedialeFilm2021_1069.jpg" /> <img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/1cb08231ce9cdc869feb5075b1024d016d4ac2c88c2d5545f5b7dbef9219617f/19_LIUC_TransmedialeFilm2021_1036.jpg" data-mid="114151791" border="0" src="https://freight.cargo.site/w/1000/i/1cb08231ce9cdc869feb5075b1024d016d4ac2c88c2d5545f5b7dbef9219617f/19_LIUC_TransmedialeFilm2021_1036.jpg" /> Commissioned by transmediale Exhibitions&nbsp; ‘remote.response.request II”, curated by Ben Evans James transmediale studio, Silent Green, Berlinjuly 10-august 22, 2021+ Ordained, Horny and Horned, curated by Cedric Fauq Veda, Florence, Italy november 2021+ Et j’ai vu le bout du pays où les nuages sont infinis, curated by Stefania Meazza BBB centre d’art, Toulouse, march-july 2022 + Vdrome.org, curated by Filipa Ramos introduced by Dorothy Yamamoto january 2022+ Bona Fide #2 Kyveli Mavrokordopoulou &amp; Elsa Brès, curated by PAT&nbsp; State of Concept, Athens, Greece june-september 24 2022+More than human gazecurated by Kuba Depczyński and Marcin Liminowicz,MoMA Warsaw, september 2023 + A parliament of owls... curated by Niekolaas&nbsp;Johannes Lekkerkerk RADIUS CCA, Delft, NL march-may 2025 “During the summer of 2020, pictures of a naked sunbather chasing a team of wild boars across a lakeside beach in Berlin spread rapidly online. With the sunbather’s laptop in its mouth, the hastily captured smartphone images helped reinforce the myth of the boar as a troublesome animal. A wild animal that refuses to stay in the wild. Exploring confrontation and the relations between human and non-human, Brès questions anthropocentric fictions of ‘Nature’ that make our existence within an interconnected ecology hard to recognise. Constructing a non-human world in which wild boars are the primary protagonists, this experimental fiction artwork uses quantitative ecology tools to help guide its script – including geospatial mapping systems and a team of algorithmically animated boars. Manipulating data points, Brès uses mapping as a tool to open up new prospects for alliances between human and non-human. Sitting somewhere between the real and virtual, the world she constructs helps us imagine alternate ways of seeing the world, confronting prevailing anthropocentric philosophies towards a speculation for a communism of the living. Traversing the borders between artistic production, research and exhibition, the work builds towards the production of Brès’ new film to be shown at a future edition of transmediale.” Ben Evans James &nbsp; https://breselsa.cargo.site/Livings-underground-exhibition Thu, 23 Apr 2026 10:19:31 +0000 elsa bres elsa bres https://breselsa.cargo.site/Livings-underground-exhibition LIVINGS UNDERGROUND video loop, stereo sound projection 8’, 2026 Living Underground is the first chapter of a long-term project that delves into the temporal twists and turns of the underworld, encountering lineages that diverge from the national narrative. with Jo, Fanny, Jennifer, Lucie, Elsa image, grading&nbsp;Thibault Solinhac sound Médéric Corroyer&nbsp; <img width="3303" height="3622" width_o="3303" height_o="3622" data-src="https://freight.cargo.site/t/original/i/8ff8f694f8a12d56e2c1f8ffbdaf0a06d59d4ce8207b9b4ab70b68e3b9fec9a7/Les-Abattoirs_Mezzanine-Sud_A-lecoute-du-vivant_2026_Cyril-Boixel-copie---copie.jpg" data-mid="247530739" border="0" src="https://freight.cargo.site/w/1000/i/8ff8f694f8a12d56e2c1f8ffbdaf0a06d59d4ce8207b9b4ab70b68e3b9fec9a7/Les-Abattoirs_Mezzanine-Sud_A-lecoute-du-vivant_2026_Cyril-Boixel-copie---copie.jpg" /> <img width="6016" height="4016" width_o="6016" height_o="4016" data-src="https://freight.cargo.site/t/original/i/33dc86ce2efc1cf55fa9b87553520fe4dfcf5abfbba8a6b3e1e320aed9d24e1d/Les-Abattoirs_Mezzanine-Sud_A-lecoute-du-vivant_2026_Cyril-Boixel-4---copie.jpg" data-mid="247530741" border="0" src="https://freight.cargo.site/w/1000/i/33dc86ce2efc1cf55fa9b87553520fe4dfcf5abfbba8a6b3e1e320aed9d24e1d/Les-Abattoirs_Mezzanine-Sud_A-lecoute-du-vivant_2026_Cyril-Boixel-4---copie.jpg" /> <img width="3570" height="2008" width_o="3570" height_o="2008" data-src="https://freight.cargo.site/t/original/i/4cb7a0436effac78c1e1d4cc59b9b4aee6de2f80476a8764814c93a3e9e09458/livings-underground_Capture-decran-2026-04-07-a-12.02.48.png" data-mid="247531207" border="0" src="https://freight.cargo.site/w/1000/i/4cb7a0436effac78c1e1d4cc59b9b4aee6de2f80476a8764814c93a3e9e09458/livings-underground_Capture-decran-2026-04-07-a-12.02.48.png" /> <img width="3570" height="2006" width_o="3570" height_o="2006" data-src="https://freight.cargo.site/t/original/i/feae20c82d3ed8295062f4e09172c579b12ebe60b8756990e05d190f59f18ac8/livings-underground_Capture-decran-2026-04-07-a-12.11.27.png" data-mid="247531212" border="0" src="https://freight.cargo.site/w/1000/i/feae20c82d3ed8295062f4e09172c579b12ebe60b8756990e05d190f59f18ac8/livings-underground_Capture-decran-2026-04-07-a-12.11.27.png" /> <img width="3580" height="2004" width_o="3580" height_o="2004" data-src="https://freight.cargo.site/t/original/i/cf8c76f18cdcff80b8bbbbeed87705f2017d3f0b5df874b83b194c0ece8e727d/livings-underground_Capture-decran-2026-04-07-a-12.07.23.png" data-mid="247531213" border="0" src="https://freight.cargo.site/w/1000/i/cf8c76f18cdcff80b8bbbbeed87705f2017d3f0b5df874b83b194c0ece8e727d/livings-underground_Capture-decran-2026-04-07-a-12.07.23.png" /> <img width="3584" height="2010" width_o="3584" height_o="2010" data-src="https://freight.cargo.site/t/original/i/bbeeb4482bd5b001e7fbf44d6e62ba6625064b6cc8b9650a0edec72dd845a8bf/livings-underground_Capture-decran-2026-04-07-a-15.23.17.png" data-mid="247531211" border="0" src="https://freight.cargo.site/w/1000/i/bbeeb4482bd5b001e7fbf44d6e62ba6625064b6cc8b9650a0edec72dd845a8bf/livings-underground_Capture-decran-2026-04-07-a-15.23.17.png" /> <img width="3566" height="2014" width_o="3566" height_o="2014" data-src="https://freight.cargo.site/t/original/i/fac86e1b63114f65bf227ddbad754e6cbb3393bc1d3b33cba74077550d695dc6/livings-underground_Capture-decran-2026-04-07-a-11.58.29.png" data-mid="247531209" border="0" src="https://freight.cargo.site/w/1000/i/fac86e1b63114f65bf227ddbad754e6cbb3393bc1d3b33cba74077550d695dc6/livings-underground_Capture-decran-2026-04-07-a-11.58.29.png" /> <img width="3580" height="2002" width_o="3580" height_o="2002" data-src="https://freight.cargo.site/t/original/i/8f4a0b1047f94b45928907d542e02f0c937743524f7d621bc023a1a7fdf24b68/livings-underground_Capture-decran-2026-04-07-a-11.47.37.png" data-mid="247531208" border="0" src="https://freight.cargo.site/w/1000/i/8f4a0b1047f94b45928907d542e02f0c937743524f7d621bc023a1a7fdf24b68/livings-underground_Capture-decran-2026-04-07-a-11.47.37.png" /> Commissioned by Musée des Abattoirs - FRAC Occitanie for the Mezzanine Sud Friends of Abattoirs Prize 2025 Exhibitions ‘Vivant·e·s sous terre” Musée des Abattoirs - FRAC Occitanieapril - november, 2026 + (more to come)views of "Mezzanine Sud - Prix des Amis des Abattoirs", photo by Cyril Boixel &amp; film stills &nbsp; https://breselsa.cargo.site/Sweat-film Sat, 12 Oct 2019 10:09:50 +0000 elsa bres elsa bres https://breselsa.cargo.site/Sweat-film SWEAT 2020 film 2K, 5.1 30 minutes watch&nbsp;film (VOD) watch trailer&nbsp; produced by&nbsp;Elsa Brès, Elise Florenty and Clémentine Roy -&nbsp;Parkadia supported by: La Région Occitanie, le Consulat de France en Louisiane, Deltaworkers residency, le Dôme festival, Haus der Kulturen der Welt. World premiere: FIDMarseille 2020&nbsp;international competition Flash&nbsp;international competition CNAPThe first attempts to map the Mississippi Delta date back to the early 18th century. Since then, it has been constantly transformed to be exploited. Meandering between times and spaces, Sweat gradually immerses us between the lines of the maps, in the fluctuating and insubordinate part of the Mississippi delta, by following living beings that inhabitate it, human and more-than-human, toward another story. Les premières tentatives de cartographier le delta du Mississippi remontent au début du 18e siècle. Il est depuis constamment transformé pour être exploité. Navigant entre les temps et les espaces, Sweat nous immerge progressivement entre les lignes des cartes, dans la part insubordonnée et fluctuante de ce territoire, en compagnie d’êtres vivants qui le peuplent, humain et plus qu’humain, vers un autre récit. &nbsp; <img width="1440" height="1080" width_o="1440" height_o="1080" data-src="https://freight.cargo.site/t/original/i/574c33d1d66b2b7c180edfa5f1cc535aafcd97e5a89b21336e0f62adc7fbcfe9/SWEAT-bres_still1.jpg" data-mid="79096749" border="0" src="https://freight.cargo.site/w/1000/i/574c33d1d66b2b7c180edfa5f1cc535aafcd97e5a89b21336e0f62adc7fbcfe9/SWEAT-bres_still1.jpg" /><img width="1440" height="1078" width_o="1440" height_o="1078" data-src="https://freight.cargo.site/t/original/i/e535e9c00cdae5657fc69cd55c6362e7eb3ff8a04368168d9768be9e64fe1aa3/SWEAT-bres_still2.jpg" data-mid="79096751" border="0" src="https://freight.cargo.site/w/1000/i/e535e9c00cdae5657fc69cd55c6362e7eb3ff8a04368168d9768be9e64fe1aa3/SWEAT-bres_still2.jpg" /> <img width="1439" height="1079" width_o="1439" height_o="1079" data-src="https://freight.cargo.site/t/original/i/cf6b0a482665d1cadd9a6a1f4da9673de6c1313e56719d38b619d6ed1ca9e299/SWEAT-bres_still3.jpg" data-mid="79096752" border="0" src="https://freight.cargo.site/w/1000/i/cf6b0a482665d1cadd9a6a1f4da9673de6c1313e56719d38b619d6ed1ca9e299/SWEAT-bres_still3.jpg" /><img width="1437" height="1079" width_o="1437" height_o="1079" data-src="https://freight.cargo.site/t/original/i/4c73445e1e06f951740a6135dfdc0f469b24f919ff4cb3a373c2ea83c3722b49/11_1.1.15.jpg" data-mid="127656502" border="0" src="https://freight.cargo.site/w/1000/i/4c73445e1e06f951740a6135dfdc0f469b24f919ff4cb3a373c2ea83c3722b49/11_1.1.15.jpg" /> avec - withLiam Conway WIlliam Jackson Alanna Maureen Geare Libbie Allen Chase Mathey Telltales collectiveréalisation, écriture - written and directed byElsa Brèsimage et son - image and soundElsa Brès avec l’aide de Lucas Palen, Noé Cugny, Camille Lenainmontage - editingElsa Brès montage son - sound editing Rémi Mencucci mixage - mix Maxence Ciekawymusique originale - musicMéryll Ampeétalonnage - colorgradingIvan Markovic Nicolas Feodoroff FIDMarseille 2020: (french below)&nbsp; Counting, walking, getting lost, then dissolving into the landscape. Such is the movement in which Elsa Brès involves us in Sweat, a film shot in the Mississippi delta. At the very beginning, at the pace of a walker, the mischievously incomplete count of steps, captured in fragments. A scansion that is both a recollection of the first mapping of the delta (as suggested by the outfit), and an elementary impulse to measure the world. An opening gesture that the film quickly erases to better go with the flow, drift, and immerse us into the meanderings of the river, between flood tides and overflowing. We drift from one nameless place to the next, following tributaries, through a luxurious nature, bearing scars of human presence and exploitation, like the gigantic oil complex we catch a glimpse of. Through this both sensorial and mental journey, between yesterday and today, while alluding to fruitless fights to try and tame the elements (flood, swarms of insects), the film gives prominence to brief encounters, either with men or animals. An invitation to let ourselves be absorbed into the very matter of a space with unstable contours, made of indecisively drawn banks, like so many convergence lines. Thus, Sweat draws the passage from a charted area to the shapeless, from the ridged map to the smooth space, to borrow Gilles Deleuze’s words. And here we are, plunged into an environment teeming with the noise of its inhabitants, rustling like so many cautionary news about the excesses of a delta that is lived-in, oozy, sweaty, as indicated by the title, like a body, a living organism. “Compter, marcher, se perdre, puis se dissoudre dans le paysage. Tel semble être le mouvement dans lequel Elsa Brès nous embarque avec Sweat, tourné dans le delta du Mississippi. En amorce, au rythme d’un marcheur, le décompte malicieusement lacunaire de ses pas, saisi par bribes. Une scansion qui vaut autant comme souvenir de la première cartographie du delta – sa tenue y fait allusion – que comme geste élémentaire de mesure du monde. Un geste inaugural que le film s’emploiera à faire oublier pour mieux se laisser porter, dériver et nous immerger dans les méandres du fleuve, entre flots et débordements. Une dérive menant de lieux en lieux, non nommés, au fil des affluents, dans une nature luxuriante, marquée de cicatrices de l’exploitation et de la présence humaine, à l’instar de ce gigantesque complexe pétrolier entr’aperçu. Fluidité d’un parcours aussi sensoriel que mental, entre hier et aujourd’hui, au gré des luttes que l’on devine avec la puissance des éléments et de leur maîtrise que l’on comprend vaine – inondation, déferlement de nuées d’insectes -, pour laisser la part belle aux rencontres furtives, humaines ou animales. Une invitation à se laisser absorber dans la matière même d’un espace aux contours mouvants, fait de berges aux tracés indécis, devenus comme autant de lignes de fuite. Ainsi Sweat dessine le passage d’une zone cartographiée à l’informe, du strié de la carte au lisse du milieu selon les mots empruntés à Gilles Deleuze. Et nous, plongés dans un monde sonore grouillant des êtres qui le peuplent, tout de bruissements émaillés comme autant d’avertissements de dépêches relatant les démesures d’un delta habité, suant, suintant comme le titre nous l’indique, tel un corps, un organisme vivant” https://breselsa.cargo.site/andrea1420-roman-photo Mon, 26 Nov 2018 14:06:46 +0000 elsa bres elsa bres https://breselsa.cargo.site/andrea1420-roman-photo ANDREA1420 2018 roman-photo&nbsp; photo-novel exhibition views CRAC Occitanie - Sète&nbsp; august 2020 published in Papier-Machine number 8 november 2018 text of curator and researcher Victorine Grataloup (french below) “This bias is also that of Andrea 1420 (2018), a very political photo novel with riotous resonances finished as the Yellow Vests movement began. We find there the taste of the fragmentary and the fleeting making impossible any one-dimensional reading: by texts of very diverse nature and photographs taken by infrared hunting camera, we follow from 2014 to 2025 a herd of wild pigs in the Cevennes whose we learn that it has "taken over the territory" of an abandoned housing estate before robbing the museum of the Philharmonie de Paris to make disappear the oldest hunting horn of the collections. Not unrelated to cinema, the medium of the photo novel - historically discredited because of its essentially female and popular readership - is here invested as a place of experimentation, a prelude to a film to come.”&nbsp; “Ce parti pris est aussi celui d’Andrea 1420 (2018), roman-photo très politique aux résonnances émeutières terminé alors que commençait le mouvement des Gilets jaunes. On y retrouve le goût du fragmentaire et du fugitif rendant impossible toute lecture unidimensionnelle : par des textes de nature très diverses et des photographies prises par caméra de chasse infrarouge, on y suit de 2014 à 2025 une harde de cochongliers des Cévennes dont on apprend qu’elle a « repris le territoire » d’un chantier de lotissement abandonné avant de braquer le musée de la Philharmonie de Paris pour en faire disparaître la plus ancienne corne de chasse des collections. Non sans lien avec le cinéma, le medium du roman-photo – historiquement déconsidéré en raison de son lectorat essentiellement féminin et populaire – est ici investi comme un lieu d’expérimentation, prélude à un film à venir. ” <img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/a286f4866094cb8ac622f52a5f171864bf2e5fad25092ff4b02637bbf9008a8c/13-copy.jpg" data-mid="84406988" border="0" src="https://freight.cargo.site/w/1000/i/a286f4866094cb8ac622f52a5f171864bf2e5fad25092ff4b02637bbf9008a8c/13-copy.jpg" /><img width="4824" height="2722" width_o="4824" height_o="2722" data-src="https://freight.cargo.site/t/original/i/65726e6f15b3536b4baaf8fa0b1c1c9efc4746b052020a80f38f3a8fdb898e0b/elsabres_andrea1420.JPG" data-mid="84407843" border="0" src="https://freight.cargo.site/w/1000/i/65726e6f15b3536b4baaf8fa0b1c1c9efc4746b052020a80f38f3a8fdb898e0b/elsabres_andrea1420.JPG" /><img width="5099" height="3399" width_o="5099" height_o="3399" data-src="https://freight.cargo.site/t/original/i/7cbf02baf9e11f8d118b6d1b4bcab894581bd15afaf65cd5481c37e90eb57fd3/elsabres_andrea1420-a.JPG" data-mid="84407699" border="0" src="https://freight.cargo.site/w/1000/i/7cbf02baf9e11f8d118b6d1b4bcab894581bd15afaf65cd5481c37e90eb57fd3/elsabres_andrea1420-a.JPG" /><img width="3039" height="3756" width_o="3039" height_o="3756" data-src="https://freight.cargo.site/t/original/i/80fcc9ee3b97232084d65e42db535f6c9473e5997e3824bb9c8cfea09a9293ea/elsabres_andrea1420-b.jpg" data-mid="84407709" border="0" src="https://freight.cargo.site/w/1000/i/80fcc9ee3b97232084d65e42db535f6c9473e5997e3824bb9c8cfea09a9293ea/elsabres_andrea1420-b.jpg" /><img width="3316" height="4974" width_o="3316" height_o="4974" data-src="https://freight.cargo.site/t/original/i/157ed6a80e6d5e5e6ae4016a04e4f140abb744d307156702aeadd42b10772aa7/elsabres_andrea1420-c.jpg" data-mid="84407717" border="0" src="https://freight.cargo.site/w/1000/i/157ed6a80e6d5e5e6ae4016a04e4f140abb744d307156702aeadd42b10772aa7/elsabres_andrea1420-c.jpg" /> https://breselsa.cargo.site/Love-Canal-film Thu, 02 Nov 2017 14:11:48 +0000 elsa bres elsa bres https://breselsa.cargo.site/Love-Canal-film LOVE CANAL 2017 film18 minutes DCP 2K - sound 5.1 produit par:&nbsp; Le Fresnoy studio national des arts contemporains Il a y 300 millions d’années, le Nord de la France était un marécage.Il y a 140 ans, un canal est creusé et jamais mis en eau. Un jour, des vagabonds décident de descendre un fleuve invisible et ramassent en chemin les débris d’un monde pour en commencer un autre. 300 million years ago, the north of France was a wetland. 140 years ago, a canal is dug and never filled with water. One day, vagabonds decide to go down an invisible river and pick on the way débris of a world to start a new one. <img width="2696" height="1618" width_o="2696" height_o="1618" data-src="https://freight.cargo.site/t/original/i/ce378dce8e649f9120367cdfd2c83d0cdfa6e98497bce82c6eed34f2688b679b/Capture-decran-2017-11-22-a-18.23.02.png" data-mid="53706382" border="0" src="https://freight.cargo.site/w/1000/i/ce378dce8e649f9120367cdfd2c83d0cdfa6e98497bce82c6eed34f2688b679b/Capture-decran-2017-11-22-a-18.23.02.png" /><img width="2696" height="1618" width_o="2696" height_o="1618" data-src="https://freight.cargo.site/t/original/i/7f828893e746ed1fb65c98ce744695d6f0b80e8e77da726c2fe331488a48ac11/Capture-decran-2017-11-22-a-18.19.43.png" data-mid="53706206" border="0" src="https://freight.cargo.site/w/1000/i/7f828893e746ed1fb65c98ce744695d6f0b80e8e77da726c2fe331488a48ac11/Capture-decran-2017-11-22-a-18.19.43.png" /><img width="1795" height="1079" width_o="1795" height_o="1079" data-src="https://freight.cargo.site/t/original/i/34bd692accdb2f936f7da37f8cd8c6f04feba436a5380b03bf0e0b50672f7419/LOVE-CANAL.mp4.Still003.jpg" data-mid="53706126" border="0" src="https://freight.cargo.site/w/1000/i/34bd692accdb2f936f7da37f8cd8c6f04feba436a5380b03bf0e0b50672f7419/LOVE-CANAL.mp4.Still003.jpg" /><img width="2532" height="1516" width_o="2532" height_o="1516" data-src="https://freight.cargo.site/t/original/i/e8bc15d625ae4d14c1685094e91f18645df94f29b162d4156e792dea5e9d42b5/elsabres-lovecanal.jpg" data-mid="53706200" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e8bc15d625ae4d14c1685094e91f18645df94f29b162d4156e792dea5e9d42b5/elsabres-lovecanal.jpg" /><img width="1800" height="1080" width_o="1800" height_o="1080" data-src="https://freight.cargo.site/t/original/i/57ee0a80ef9220f5bb145613ab9feed38866d7b19c1ee1ce03bb91542f03cee4/LOVE-CANALStill003o.jpg" data-mid="53706204" border="0" src="https://freight.cargo.site/w/1000/i/57ee0a80ef9220f5bb145613ab9feed38866d7b19c1ee1ce03bb91542f03cee4/LOVE-CANALStill003o.jpg" /> avec - with Adrien Chevrot Regina Demina Thibaud Le Maguer Victor Vaysse réalisation, écriture -&nbsp;written and directed by Elsa Brès directeur de la photographie -&nbsp;DOP Joris Cottin assistant réalisatrice -&nbsp;director assistant Léo Pacquelet montage -&nbsp;editing Isabelle Prim, Elsa Brès sculptures, impressions 3D et décor set design, 3D prints and sculptures Elsa Brès création sonore -&nbsp;sound design Méryll Ampe musique de fin -&nbsp;end music Yong Yong&nbsp; ingénieur du son -&nbsp;sound&nbsp; Sébastien Eugène montage son et mixage -&nbsp;sound editing and mixing Maxence Ciekawy étalonnage -&nbsp;colorgrading Baptiste Evrard Festivals et projections Festivals and screenings&nbsp; Lima Independiente, 2018Jeune Création 69, Paris, 2018Fracto Berlin, 2018Nomadica, Bologna, 2018 Le Dôme festival, 2018Correspondances, Cité Internationale des Arts, Paris, 2018Festival de la Jeune Vidéo, Paris, 2019Laterale film festival, Cosenza Italy 2019Shotgun Cinema, New Orleans USA, 2019Down to a sunless sea, Arondit, Paris, 2019 VHS, le Houloc, 2020 Expositions Exhibitions 8e prix de la Jeune Création de St Rémy, 2018Aube Immédiate Vents Tiède, group show curated by Diane Turquety and Victorine Grataloup at Mécènes du Sud Montpellier, 2019Sur la Page abandonnée vol3, Paris, 2019L'Orfevrerie, 2019Videobox, carreau du temple, Paris, 2019 <img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/fc07b6b3fe1a9e871d0f868f25e116877ee315d38a2d95edb903c8d7a13dfd1e/55439550_1177422145754497_3827182968770658304_o.jpg" data-mid="71337571" border="0" src="https://freight.cargo.site/w/1000/i/fc07b6b3fe1a9e871d0f868f25e116877ee315d38a2d95edb903c8d7a13dfd1e/55439550_1177422145754497_3827182968770658304_o.jpg" /><img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/dc9cbe519c4ba2091d8489961cabbfd8bf0fe41b2ee9c9d360d34b342a1fadc1/15032019-JP2B0096-eliseortioucampion.jpg" data-mid="71337579" border="0" src="https://freight.cargo.site/w/1000/i/dc9cbe519c4ba2091d8489961cabbfd8bf0fe41b2ee9c9d360d34b342a1fadc1/15032019-JP2B0096-eliseortioucampion.jpg" /><img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/0ad11d75e7245ca04264d1ba0bf37088f3587d2ee329ad45f148582a94f853ad/171.JPG" data-mid="71337628" border="0" src="https://freight.cargo.site/w/1000/i/0ad11d75e7245ca04264d1ba0bf37088f3587d2ee329ad45f148582a94f853ad/171.JPG" /> exhibition views of Aube Immédiate, Vents Tièdes curated by Victorine Grataloup et Diane Turquety group show with:&nbsp; Nils Alix-Tabeling, Mathis Altmann, Dimitra-Ellie Antoniou, Will Benedict, Elsa Brès, Gaëlle Choisne, Mimosa Echard &amp; Michel Blazy, Thierry Fournier, Jean-Marie Perdrix, Dimitri Robert-Rimsky, Rometti Costales. Mécènes du Sud, Montpellier, France mars-juin 2019 https://breselsa.cargo.site/stella-50-4N15E-film Thu, 02 Nov 2017 15:41:59 +0000 elsa bres elsa bres https://breselsa.cargo.site/stella-50-4N15E-film STELLA 50.4N1.5E 2016 film15 minutesvideo 2K - sound 5.1 produit par:&nbsp; Le Fresnoy studio national des arts contemporains Une mer de dunes. Une cité balnéaire dépeuplée. Des mains qui collectent et classent une masse de documents. Le paysage est une architecture. A sea of dunes. An unpopulated seaside resort. Hands putting together a heap of documents. The landscape is an architecture. STELLA 50.4N1.5E teaser from Elsa Brès on Vimeo.<img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e474172302a6f5a9867cca8bbe435f59173caee2dd9273652c0eff96b896ad5c/stella-elsabres_13.jpg" data-mid="6777365" border="0" src="https://freight.cargo.site/w/1000/i/e474172302a6f5a9867cca8bbe435f59173caee2dd9273652c0eff96b896ad5c/stella-elsabres_13.jpg" /><img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/8b45a678f6853fd34484c67fe5dac13dde8ef7837b2b48db5a763ccf118a7bb9/stella-elsabres-9.jpg" data-mid="6106348" border="0" src="https://freight.cargo.site/w/1000/i/8b45a678f6853fd34484c67fe5dac13dde8ef7837b2b48db5a763ccf118a7bb9/stella-elsabres-9.jpg" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e4da5228bdcb2a7c35c8ad0a1319dabced9dd1ce7283bd34cbbea6696258cca8/stella-elsabres.jpg" data-mid="8607883" border="0" src="https://freight.cargo.site/w/1000/i/e4da5228bdcb2a7c35c8ad0a1319dabced9dd1ce7283bd34cbbea6696258cca8/stella-elsabres.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4498c4d3489599de7c99ef78be0be1c33b1ce9e933a7a63029669fc59642e1ba/elsabres_stella_10.jpg" data-mid="8607891" border="0" src="https://freight.cargo.site/w/1000/i/4498c4d3489599de7c99ef78be0be1c33b1ce9e933a7a63029669fc59642e1ba/elsabres_stella_10.jpg" /><img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/0bb09acebe6fd838d4eb08a63a8d010b390ae0a94ba425fdddd3cc7ae6beaa4b/stella-elsabres-21.jpg" data-mid="6106343" border="0" src="https://freight.cargo.site/w/1000/i/0bb09acebe6fd838d4eb08a63a8d010b390ae0a94ba425fdddd3cc7ae6beaa4b/stella-elsabres-21.jpg" /> avec - with&nbsp;Régina Demina réalisation, écriture - written and directed by&nbsp;Elsa Brès directeur de la photographie - DOP&nbsp;Joris Cottin assistante réalisatrice - director assistantClémentine Fusco montage - editingElsa Brès, Cécile Simon décor et documents graphiques&nbsp; set design and graphic documentsElsa Brès musique originale -&nbsp;original musicMéryll Ampe ingénieur du son -&nbsp;soundClément Larive montage son et mixage sound editing and mixingMaxence Ciekawy étalonnage -&nbsp;colorgradingBaptiste Evrard 25FPS festival, Zagreb 2016Kasseler Dokfest 2016IndieLisboa international film festival 2017Hamburg International Short film festival 2017LOOP Barcelona 2017Fracto Berlin 2017FID Marseille 2017Shared Sight International film festival 2017C'est trop court! festival international de courts-métrages de Nice 2017Imagine Science film festival 2017VideoProject biennale of video art Angers 2017 exposition "Le Reve des Formes" au Palais de Tokyo 2017 special screening “fresnoy 20 ans”, Villa Medici (Roma, Italia), 2017 <img width="960" height="640" width_o="960" height_o="640" data-src="https://freight.cargo.site/t/original/i/08558cf3f4d6e4fb17722e96888c380ad0b3dc71ca61a2cfad6b15cff1291855/51318371_10161395011855298_6833328019164102656_n.jpg" data-mid="71338192" border="0" src="https://freight.cargo.site/w/960/i/08558cf3f4d6e4fb17722e96888c380ad0b3dc71ca61a2cfad6b15cff1291855/51318371_10161395011855298_6833328019164102656_n.jpg" /><img width="960" height="640" width_o="960" height_o="640" data-src="https://freight.cargo.site/t/original/i/aa1b8b418bd86c8a13032a7ae5c078b4aa54456e2d2be42214624053eeefeeca/52106834_10161395010905298_199809158579486720_n.jpg" data-mid="71338197" border="0" src="https://freight.cargo.site/w/960/i/aa1b8b418bd86c8a13032a7ae5c078b4aa54456e2d2be42214624053eeefeeca/52106834_10161395010905298_199809158579486720_n.jpg" /> exhibition views Week End at Charlie’s&nbsp; curated by KaskCuratorial studies group group show with: Carlos Alfonso, Hilla &amp; Bernd Becher, Christian Boltanski, Elsa Brès, Athos Bulcão, Pierre Caille, Eduardo Chillida, Amédée Cortier, Jo Delahaut, Frédéric Fourdinier, François Hers, Julian Hetzel, Ann Veronica Janssens, Thomas Kuijpers, Sol Lewitt, Guy Mees, Hans Op de Beeck, Lili M. Rampre, Sophie Ristelhueber, Joe Scanlan, Amélie Scotta, Adriaan Van Leuven, Jan Vercruysse, Py &amp; Verde , Didier Vermeiren, Marthe Wéry, Léon Wuidar Vandenhove center for architecture and art, Ghent, Belgium février 2019 https://breselsa.cargo.site/blind-swamp-video-installation Tue, 13 Oct 2020 12:59:51 +0000 elsa bres elsa bres https://breselsa.cargo.site/blind-swamp-video-installation BLIND SWAMP 2019 deux boucles vidéo sur écrans, latex, polyuréthane, matières organiques, boucle sonore (musique de Méryll Ampe) vues d’exposition au Domaine de Candé et au Dôme festival 2019 <img width="1273" height="1246" width_o="1273" height_o="1246" data-src="https://freight.cargo.site/t/original/i/de9f70baf012b562f57491ff3b5f731a690bb46c54f8dd1c5ff874ab92098a8c/blind-swamp_elsabres.jpg" data-mid="85447615" border="0" src="https://freight.cargo.site/w/1000/i/de9f70baf012b562f57491ff3b5f731a690bb46c54f8dd1c5ff874ab92098a8c/blind-swamp_elsabres.jpg" /> <img width="1280" height="1920" width_o="1280" height_o="1920" data-src="https://freight.cargo.site/t/original/i/d1231ab4ecd096a335cfc1cc766d2c408d1ec4368028adc9efa82973400c1a60/65535633_2376530762400405_6536083185262919680_o.jpg" data-mid="85447648" border="0" src="https://freight.cargo.site/w/1000/i/d1231ab4ecd096a335cfc1cc766d2c408d1ec4368028adc9efa82973400c1a60/65535633_2376530762400405_6536083185262919680_o.jpg" /> https://breselsa.cargo.site/sous-les-iles-1-installation Mon, 13 Aug 2018 11:28:10 +0000 elsa bres elsa bres https://breselsa.cargo.site/sous-les-iles-1-installation SOUS LES ÎLES 2018 installation latex, matières organiques, projection vidéo latex, organic materials, video projection <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3ab9a127c92fd47698a353523efe9d600a42a8b2bc5291cb47c0dbb83c389619/IMG-5827.JPG" data-mid="25722392" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/3ab9a127c92fd47698a353523efe9d600a42a8b2bc5291cb47c0dbb83c389619/IMG-5827.JPG" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/527924c463352934d2f62ec17cfce9fdc737459930d354eaa5725ebf201f9db4/IMG-5752.JPG" data-mid="25723374" border="0" src="https://freight.cargo.site/w/1000/i/527924c463352934d2f62ec17cfce9fdc737459930d354eaa5725ebf201f9db4/IMG-5752.JPG" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e403c4a17de8269d94c4d3f4d0b1a89dad19b3a02fcda0eca9b4f942598a145c/IMG-5806.JPG" data-mid="25723380" border="0" src="https://freight.cargo.site/w/1000/i/e403c4a17de8269d94c4d3f4d0b1a89dad19b3a02fcda0eca9b4f942598a145c/IMG-5806.JPG" />vues de l’installation au Dôme festival 2018installation view at le Dôme festival 2018