LES SANGLIÈRES
SHE BOARS
film
68 minutes
2025
supported by: CNC, Tënk & Mediapart, Occitanie and ARA regions.
SHE BOARS
film
68 minutes
2025
supported by: CNC, Tënk & Mediapart, Occitanie and ARA regions.
preparatoy research supported by: CNC DICRÉAM, CNAP aide au projet, Mécènes du Sud, MO.CO Panacée, CAC Chanot.
1525 : in a forest in the Cévennes in France, peasant women from many regions band together to fight the enclosure of common lands. A few centuries later, construction in the forest is under the watchful eye of Annie, a solitary 75-year-old night watchwoman. One night, the landscape is turned upside do
~
Cinéma du Réel 2025 competition world premiere
IndieLisboa 2025 feature-film international competition international premiere
Fondation Pernod Ricard, Fr screening
VHS festival, Fr screening
Forêts Queer, Fr screening
Carré d’Art Nîmes, Fr screening - 28/11/25
~“What kinds of imaginary and historical resistance run through and link up the different temporalities of a region? In her first feature-length documentary, whose title is inspired by Monique Wittig’ Guérillères, Elsa Brès explores the tales and collective struggles that irrigate the Cévennes landscape, continuing a reflection begun in her installations and previous films.
In three parts, She Boars opens with the 16th-century revolt of a group of peasant women demanding the free use of pastureland and forests. Swiftly quashed, this uprising resonates with another form of contemporary resistance led by the wild boar that are still defying a privatised forest now riddled with surveillance cameras. The animal’s intrusion onto a worksite that is nibbling away at the once open space begins to disrupt the daily life of 75-year-old Annie, who shares her time between working the land and her caretaking job. Her gaze and curiosity are piqued as the film shifts towards an exploration of the forest through a new and not exclusively anthropocentric prism.
Devoid of dialogues and giving room for a sensory experience, the mise en scène centres on the lush vegetation and the bodies that live there, weaving a narrative where humans and animals join together to combat capitalism and patriarchy. By opening breaches in time, possible continuities take shape between the struggles of yesterday and those of today, inviting us to imagine other ways of inhabiting the world.”
Nepheli Gambade





Les Sanglières: Annie Rodriguez, Diane Bonfils, Dayan Torres Gonzalez, Amandine Sellini, Silviana Gomes Mboge, Chloé Kulpinski, Cathy Wotjyna, Abel de Mai, Gaëlle Boucand, Judith Simon, Debora Levyh, Eva Courtès, Éole, Elsa Brès
DOP: Victor Zébo, Thibault Solinhac, Sarah Blum, Elsa Brès
assistants: Iris Ibanez, Pauline Ogonowski, Hélios Fortin
sound: Valentine Gelin, Ludivine Pelé, Eric Aurégan
director assistant: Charlotte Buonomo, Gaëlle Boucand
editing: Théophile Gay-Mazas
sound edit: Coline Favre-Bulle
soundmix: Maxence Ciekawy
original musics: Sourdure, Nicolas Mollard, Méryll Ampe
script consulting: Jennifer Fanjeaux
16th century costumes: Christiane Vervandier
16th century accessories: Jean-Do Scheer
archives citations :
The Twelves Articles, engraving from the original manuscript, 1525
The Twelves Articles, french traduction of the original text in "Thomas Münzer ou la Guerre des Paysans" by Maurice Pianzola (1958)
The Hunt of the boar, Antonio Tempesta, painting, around 1580
The Hunt of the Boar in Poland, Carle Vernet, around 1800
Le Mirouet Historial, Vincent de Beauvais, 1463
Wild Boar Habitat Suitability maps in the south of Cévennes, Gherardo Chirici, 2021
