LES SANGLIÈRES
SHE BOARS
film

68 minutes

2025

supported by: CNC, Tënk & Mediapart, Occitanie and ARA regions.

preparatoy research supported by: CNC DICRÉAM, CNAP aide au projet, Mécènes du Sud, MO.CO Panacée, CAC Chanot.



produced by:
Elsa Brès & Gaëlle Boucand
Elinka films 






1525 : in a forest in the Cévennes in France, peasant women from many regions band together to fight the enclosure of common lands. A few centuries later, construction in the forest is under the watchful eye of Annie, a solitary 75-year-old night watchwoman. One night, the landscape is turned upside do





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Cinéma du Réel 2025 competition world premiere
IndieLisboa 2025
feature-film international competition international premiere
Fondation Pernod Ricard, Fr
screening
VHS festival, Fr
screening
Forêts Queer, Fr
screening
Carré d’Art Nîmes, Fr screening - 28/11/25

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“What kinds of imaginary and historical resistance run through and link up the different temporalities of a region? In her first feature-length documentary, whose title is inspired by Monique Wittig’ Guérillères, Elsa Brès explores the tales and collective struggles that irrigate the Cévennes landscape, continuing a reflection begun in her installations and previous films.
In three parts, She Boars opens with the 16th-century revolt of a group of peasant women demanding the free use of pastureland and forests. Swiftly quashed, this uprising resonates with another form of contemporary resistance led by the wild boar that are still defying a privatised forest now riddled with surveillance cameras. The animal’s intrusion onto a worksite that is nibbling away at the once open space begins to disrupt the daily life of 75-year-old Annie, who shares her time between working the land and her caretaking job. Her gaze and curiosity are piqued as the film shifts towards an exploration of the forest through a new and not exclusively anthropocentric prism.
Devoid of dialogues and giving room for a sensory experience, the mise en scène centres on the lush vegetation and the bodies that live there, weaving a narrative where humans and animals join together to combat capitalism and patriarchy. By opening breaches in time, possible continuities take shape between the struggles of yesterday and those of today, inviting us to imagine other ways of inhabiting the world.”


Nepheli Gambade




Les Sanglières: Annie Rodriguez, Diane Bonfils, Dayan Torres Gonzalez, Amandine Sellini, Silviana Gomes Mboge, Chloé Kulpinski, Cathy Wotjyna, Abel de Mai, Gaëlle Boucand, Judith Simon, Debora Levyh, Eva Courtès, Éole, Elsa Brès

DOP: Victor Zébo, Thibault Solinhac, Sarah Blum, Elsa Brès

assistants: Iris Ibanez, Pauline Ogonowski, Hélios Fortin

sound: Valentine Gelin, Ludivine Pelé, Eric Aurégan

director assistant: Charlotte Buonomo, Gaëlle Boucand

editing: Théophile Gay-Mazas

sound edit: Coline Favre-Bulle

soundmix: Maxence Ciekawy

original musics: Sourdure, Nicolas Mollard, Méryll Ampe

script consulting: Jennifer Fanjeaux

16th century costumes: Christiane Vervandier

16th century accessories: Jean-Do Scheer



archives citations :

The Twelves Articles, engraving from the original manuscript, 1525

The Twelves Articles, french traduction of the original text in "Thomas Münzer ou la Guerre des Paysans" by Maurice Pianzola (1958)

The Hunt of the boar, Antonio Tempesta, painting, around 1580

The Hunt of the Boar in Poland, Carle Vernet, around 1800

Le Mirouet Historial, Vincent de Beauvais, 1463

Wild Boar Habitat Suitability maps in the south of Cévennes, Gherardo Chirici, 2021